Ed Deane is a Dublin-born guitarist, singer and composer, rated one of the finest blues and rock guitarists to emerge from Ireland. He began playing blues with his own band at the age of 16 and has worked with blues and R&B legends such as  Lowell Fulson, Arthur ‘Big Boy’ Crudup, Mississipi Fred McDowell, Johnny Shines, Shuggie Otis, Richard Berry and Juke Boy Bonner.
Since the 70s Ed has been in continuous demand as a session player and slide guitarist. He’s toured and recorded with many international artists including Graham Parker, Nick Lowe, Geraint Watkins, Henry McCullough, Frankie Miller, Mickey Jupp, Dana Gillespie, Chris Jagger, Shane MacGowan, Paul Jones and Bap Kennedy. He played guitar on the soundtracks for Stormy Monday (alongside BB King) and Leaving Las Vegas, both movies directed by Mike Figgis.
His music style, based on the blues, encompasses many musical forms, including world music, rock and roll, folk and traditional, together with more avant garde forms including experimental theatre and free improvisation.
Ed plays regular gigs in Ireland and the UK. He currently has a Thursday night residency at Frank Ryans in Smithfield Dublin, playing with Left, Right and Centre and a Wednesday night residency at The Leeson Lounge with Los Paradiso.
Check Gigs section for up-to-date info.

News

The Whistling Girl NEW YORK DATES
The Whistling Girl – Celebrating the words of Dorothy Parker plays in New York, USA
The Irish Center, New York (Nov 17-18)
Booking and more info here

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Los ParaDiso CD
Los PaRadiso’s new CD was launched October 2017


Ed Deane, James Delaney, Garvan Gallagher, Donal Fean, Kevin Malone

MORE INFO HERE
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The Whistling Girl – Celebrating the words of Dorothy Parker CD
with Honor Heffernan, Music composed by Trevor Knight.
The Poetry of Dorothy Parker performed in a cabaret setting
Thursday, 5th October, live in the Button Factory in Dublin!

Honor Heffernan (vocals,) Trevor Knight (Keyboards), Garvan Gallagher (Bass), Tom Jamieson (drums), Ed Deane (electric guitar), Ciaran Wilde (saxophone), Bill Blackmore (horns).

“Over the course of the evening they seamlessly flow through rock, blues and dark carnivalesque sounds reminiscent of The Doors and reference the electronica of Kraftwerk. The sheer quality of the musicianship makes these shifts in tone seem effortless. Parker excavated beauty from the bleakest corners; her wit and words, a brilliant retort to life’s cruelty and Honor breaks through, reaching a state of total honesty in her performance, making Parker’s words shine like coals, her voice is silk and steel; her commitment, total.” Billy O’Hanluain writer and contributor to The View, Arena and The Arts show. (RTE)

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